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Cards annotated with participants’ handwriting, completed in the interactive phase of the Glass House exhibition/experience/event

Evaluating Glass House (Article 6/6)

October 25, 2022

Reviewing the impact and value of the September 2021 Glass House exhibition as an examination of art and policy and a case study of practice-based research

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In Use of art in policy Tags art and policy, Glass House, Shards, AHRC, Clore, Research, Glass

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Evaluating Glass House (Article 6/6)
October 25, 2022
Evaluating Glass House (Article 6/6)
October 25, 2022

Reviewing the impact and value of the September 2021 Glass House exhibition as an examination of art and policy and a case study of practice-based research

Read more →
October 25, 2022
Art about bureaucracy relating to art, New York
July 11, 2022
Art about bureaucracy relating to art, New York
July 11, 2022

An interview with the artist Julia Weist who has explored the relationship between art and bureaucracy whilst working as an artist in residence in the New York City Government

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July 11, 2022
Public records, NYPD surveillance, performance art
May 27, 2022
Public records, NYPD surveillance, performance art
May 27, 2022

An interview with Kameron Neal, a Brooklyn based artist who is working with the New York City government to reclaim and repurpose NYPD’s pervasive and invasive surveillance footage from the 1950s-90s.

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May 27, 2022
Meow Wolf, evidence, policy
May 13, 2022
Meow Wolf, evidence, policy
May 13, 2022

What can people involved in evidence and policy learn from a neon soaked arts-led entertainment space in the New Mexico desert? I visited Meow Wolf to find out.

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May 13, 2022
Art at the New York Mayor's Office for Sustainability
May 4, 2022
Art at the New York Mayor's Office for Sustainability
May 4, 2022

Interview with Janet Zweig, a New York based artist who is part of the NYC Public Artist in Residence programme and worked with the then Mayor’s Office for Sustainability, where a key contact was Kate Gouin, who also kindly made time for a discussion.

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May 4, 2022
Interspecies collaboration with Tomas Saraceno
April 25, 2022
Interspecies collaboration with Tomas Saraceno
April 25, 2022

Interspecies collaboration with Tomas Saraceno at The Shed gallery in New York

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April 25, 2022
Merz style political ceramics with Kahlil Robert Irving
April 23, 2022
Merz style political ceramics with Kahlil Robert Irving
April 23, 2022

Some notes from an impromptu visit to Kahlil Robert Irving’s show at the New York Museum of Modern Art (MoMA).

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April 23, 2022
Artist Melanie Crean, shape and NYC criminal justice
April 23, 2022
Artist Melanie Crean, shape and NYC criminal justice
April 23, 2022

Interview with Melanie Crean, a New York based artist who is part of the NYC Public Artist in Residence programme, working at the intersection of architecture, criminal justice and shape.

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April 23, 2022
Lability, transference, activation energy: conceptualising the impact of art in policy (Article 5/6)
February 14, 2022
Lability, transference, activation energy: conceptualising the impact of art in policy (Article 5/6)
February 14, 2022

Artists and funders often ask how artwork can have a policy impact. This article sets out thoughts with reference to three scientific concepts: lability, transference and activation energy.

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February 14, 2022
THE ART-POLICY MATRIX II (ARTICLE 4/6)
May 13, 2021
THE ART-POLICY MATRIX II (ARTICLE 4/6)
May 13, 2021

This article, the fourth in a series on the role of art in policymaking, situates real life artworks in a theoretical art-policy matrix. It starts by describing two case studies - Blue Planet II and The Museum of Extraordinary Objects - in more detail, before outlining nineteen other artworks, all which, in some way, link to policy.

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May 13, 2021

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