Cards annotated with participants’ handwriting, completed in the interactive phase of the Glass House exhibition/experience/event
Reviewing the impact and value of the September 2021 Glass House exhibition as an examination of art and policy and a case study of practice-based research
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Images: Textile artwork from MITHILAsmita, displayed and described by Ihitashri Shandilya (top left); View out of window of Eynsham Hall, Oxfordshire (top centre); Unsighted drawing of Eduardo Carvalho of Brazil’s Museum of Tomorrow (top right); Pattern, Eynsham Hall (centre left); Redwood, Eynsham Hall (centre); Wall, Eynsham Hall (centre right); The Web of Empire, Sir Donald Mackenzie Wallace (1902) (lower left); View of rain, Eynsham Hall (lower centre); View of rain, Eynsham Hall (lower right)
Visual week notes for period up to 5th October, providing some visual highlights from the Clore Leadership residential, a Leadership scheme I am fortunate enough to be part of for 2019-20.
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Visual weeknotes for 11-17th May, covering a lecture at LCC, an interview with the Clore Leadership Programme, preparations for the E17 Art Trail, the Local Industrial Strategy in the South West and work in Cornwall.
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