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Stephen RG Bennett

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Images: Textile artwork from MITHILAsmita, displayed and described by Ihitashri Shandilya (top left); View out of window of Eynsham Hall, Oxfordshire (top centre); Unsighted drawing of Eduardo Carvalho of Brazil’s Museum of Tomorrow (top right); Pat…

Images: Textile artwork from MITHILAsmita, displayed and described by Ihitashri Shandilya (top left); View out of window of Eynsham Hall, Oxfordshire (top centre); Unsighted drawing of Eduardo Carvalho of Brazil’s Museum of Tomorrow (top right); Pattern, Eynsham Hall (centre left); Redwood, Eynsham Hall (centre); Wall, Eynsham Hall (centre right); The Web of Empire, Sir Donald Mackenzie Wallace (1902) (lower left); View of rain, Eynsham Hall (lower centre); View of rain, Eynsham Hall (lower right)

The Clore Fellowship residential: Visual and written week notes 5th October 2019

October 5, 2019

Visual week notes for period up to 5th October, providing some visual highlights from the Clore Leadership residential, a Leadership scheme I am fortunate enough to be part of for 2019-20.

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In Visual week notes Tags Textile, Walls, Redwood, The Web of Empire, Rain, Museum of Tomorrow, Eynsham Hall, Clore, Leadership, Fellowship, USP, Values, Mission, Manifesto, Core, Residential, Week notes, Weeknotes, Art, Science, Policy, 2019, The Clore Fellowship residential: Visual and written week notes 5th October 2019

Latest Posts

Featured
Evaluating Glass House (Article 6/6)
October 25, 2022
Evaluating Glass House (Article 6/6)
October 25, 2022

Reviewing the impact and value of the September 2021 Glass House exhibition as an examination of art and policy and a case study of practice-based research

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October 25, 2022
Art about bureaucracy relating to art, New York
July 11, 2022
Art about bureaucracy relating to art, New York
July 11, 2022

An interview with the artist Julia Weist who has explored the relationship between art and bureaucracy whilst working as an artist in residence in the New York City Government

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July 11, 2022
Public records, NYPD surveillance, performance art
May 27, 2022
Public records, NYPD surveillance, performance art
May 27, 2022

An interview with Kameron Neal, a Brooklyn based artist who is working with the New York City government to reclaim and repurpose NYPD’s pervasive and invasive surveillance footage from the 1950s-90s.

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May 27, 2022
Meow Wolf, evidence, policy
May 13, 2022
Meow Wolf, evidence, policy
May 13, 2022

What can people involved in evidence and policy learn from a neon soaked arts-led entertainment space in the New Mexico desert? I visited Meow Wolf to find out.

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May 13, 2022
Art at the New York Mayor's Office for Sustainability
May 4, 2022
Art at the New York Mayor's Office for Sustainability
May 4, 2022

Interview with Janet Zweig, a New York based artist who is part of the NYC Public Artist in Residence programme and worked with the then Mayor’s Office for Sustainability, where a key contact was Kate Gouin, who also kindly made time for a discussion.

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May 4, 2022
Interspecies collaboration with Tomas Saraceno
April 25, 2022
Interspecies collaboration with Tomas Saraceno
April 25, 2022

Interspecies collaboration with Tomas Saraceno at The Shed gallery in New York

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April 25, 2022
Merz style political ceramics with Kahlil Robert Irving
April 23, 2022
Merz style political ceramics with Kahlil Robert Irving
April 23, 2022

Some notes from an impromptu visit to Kahlil Robert Irving’s show at the New York Museum of Modern Art (MoMA).

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April 23, 2022
Artist Melanie Crean, shape and NYC criminal justice
April 23, 2022
Artist Melanie Crean, shape and NYC criminal justice
April 23, 2022

Interview with Melanie Crean, a New York based artist who is part of the NYC Public Artist in Residence programme, working at the intersection of architecture, criminal justice and shape.

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April 23, 2022
Lability, transference, activation energy: conceptualising the impact of art in policy (Article 5/6)
February 14, 2022
Lability, transference, activation energy: conceptualising the impact of art in policy (Article 5/6)
February 14, 2022

Artists and funders often ask how artwork can have a policy impact. This article sets out thoughts with reference to three scientific concepts: lability, transference and activation energy.

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February 14, 2022
THE ART-POLICY MATRIX II (ARTICLE 4/6)
May 13, 2021
THE ART-POLICY MATRIX II (ARTICLE 4/6)
May 13, 2021

This article, the fourth in a series on the role of art in policymaking, situates real life artworks in a theoretical art-policy matrix. It starts by describing two case studies - Blue Planet II and The Museum of Extraordinary Objects - in more detail, before outlining nineteen other artworks, all which, in some way, link to policy.

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May 13, 2021

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